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【单选题】
Material culture refers to what can be seen, held, felt, used--what a culture produces. Examining a culture's tools and technology can tell us about the group's history and way of life. Similarly, research into the material culture of music can help us to understand the music culture. The most vivid body of material culture in it, of course, is musical instruments. We cannot hear for ourselves the actual sound of any musical performance before the 1870s when the phonograph was invented, so we rely on instruments for important information about music cultures in the remote past and their development. Here we have two kinds of evidence: instruments well preserved and instruments pictured in art. Through the study of instruments, as well as paintings, written documents, and so on, we can explore the movement of music from the Near East to China over a th6usand years ago, or we can outline the spread of Near Eastern influence to Europe that resulted in the development of most of the instruments in the symphony orchestra. Sheet music or printed music, too, is material culture. Scholars once defined folk music cultures as those in which people learn and sing music by ear rather than from print, but research shows mutual influence among oral and written sources during the past few centuries in Europe, Britain, and America. Printed versions limit variety because they tend to standardize any song, yet they stimulate people to create new and different songs. Besides, the ability to read music notation has a far-reaching effect on music and, when it becomes widespread, on the music culture as a whole. One more important part of music's material culture should be singled out. the influence of the electronic media--radio, record player, tape recorder, television, and videocassette, with the future promising talking and singing computers and other developments. This is all part of the 'information revolution', a twentieth-century phenomenon as important as the industrial revolution was in the nineteenth. These electronic media are not just limited to modem nations they have affected music cultures all over the globe. Research into the material culture of a nation is of great importance because ______.
A.
it helps produce new cultural tools and technology
B.
it can reflect the development of the nation
C.
it helps understand the nation's past and present
D.
it earl demonstrate the nation's civilization
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【单选题】湿空气的温度相同,则其相对湿度___。
A.
相同
B.
不同
C.
不一定相同
D.
为零
【多选题】下列有关年限平均法的表述正确的有( )。
A.
年限平均法又称直线法,是将固定资产的折旧均衡地分摊到各期
B.
年折旧率=( 1- 预计净残值率) / 预计使用寿命× 100%
C.
月折旧率=年折旧率 /12
D.
月折旧额=(固定资产原价 - 预计净产值)×月折旧率
【简答题】如图所示: ( )用双引号括起来的一个字符串,称为格式控制字符串,简称格式字符串。 ( )由“%”和格式字符组成,作用是将输出的数据转换为指定的格式后输出。 ( )即需要在输出时原样输出的字符。 ( )是程序需要输出的一些数据,可以是常量、变量或表达式。
【多选题】下列关于平均年成本法的表述中,正确的有()。
A.
平均年成本法是把继续使用旧设备和购置新设备看成是两个互斥的方案
B.
平均年成本法的假设前提是将来设备再更换时,可以按原来的平均年成本找到可代替的设备
C.
平均年成本法通常以旧设备尚可使用年限为“比较期”
D.
平均年成本法是把继续使用旧设备和购置新设备看成是一个更换设备的特定方案
【单选题】湿空气的温度相同,其相对湿度_____。
A.
相同
B.
不同
C.
不一定相同
D.
为零
【多选题】下列各项中,关于企业固定资产折旧方法的表述正确的有( )。
A.
年限平均法需要考虑固定资产的预计净残值
B.
年数总和法计算的固定资产折旧额逐年递减
C.
双倍余额递减法不需要考虑固定资产的预计净残值
D.
年数总和法不需要考虑固定资产的预计净残值
【单选题】湿空气的温度相同,其相对湿度_______。
A.
不一定相同
B.
相同
C.
为零
D.
不同
【多选题】需要转化为需求必须具备两个条件
A.
有强烈的需要欲望
B.
有需要
C.
有愿望
D.
有强烈的想法
E.
有一定的货币支付能力
【单选题】湿空气的温度相同,其相对湿度_______。() A. 相同 B. 不同 C. 不一定相同 D. 为零
A.
A
B.
B
C.
C
D.
D
【多选题】下列有关固定资产折旧方法的表述,正确的有( )。
A.
按年限平均法计算的各年折旧率和年折旧额都相同
B.
按双倍余额递减法计算的各年折旧率相同,但年折旧额逐年增大
C.
按年数总和法计算的各年折旧率逐渐变大,年折旧额也逐年变大
D.
年数总和法,在折旧年限前期折旧额大,以后逐年变小,故称快速折旧
E.
无论按哪种方法计算,若折旧年限相同,所取净残率相同,则在设定的折旧年限内,总折旧额相同
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