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Street art can be found on buildings, sidewalks, street signs and even trash cans from Tokyo to Paris to New York City. This special kind of art can take the form of paintings, sculptures, cloth or even stickers (张贴物). Street art has become part of a global visual culture. Now, even art museums and galleries are collecting the works of street artists. It is not easy to provide an exact history of the street art movement. This kind of art has developed in many kinds of ways in places all over the world. Also, because it is illegal to paint public and private property without permission, street artists usually work secretly. This secretive nature of street art and its countless forms make it hard to define exactly. And people have different opinions about the movement. Some think street art is a crime and destroys property. But others see this art as a rich form of non-traditional cultural expression. Many experts say the movement began in New York City in the 1960s. Young adults would use paint in special cans to spray their “tag” on walls and train cars around the city. This tag was a name they created to identify themselves and their artwork. This colorful style of writing is also called graffiti (涂鸦). It is visually exciting and energetic. Some graffiti paintings were signs marking the territories of city gangs or illegal crime groups. Graffiti also became a separate movement expressing the street culture of young people living in big cities. Graffiti art represented social and political rebellion (叛逆). This was art that rejected the accepted rules of culture and power. These artists could travel around areas of the city making creative paintings for everyone to see. Sometimes this street art created a conflict between artists and city officials. Graffiti artists created their images and city officials quickly painted over them. During the 1980s, two New York painters — Keith Haring and Jean Michel began showing their work in art galleries and museums. This is when street art started to become part of the more general popular culture. 小题1:What can we infer from the first paragraph? A.Street art has become popular and is accepted as a kind of culture. B.Street art is very special compared with other forms of popular art. C.Many people are beginning to learn street art. D.Street art is better developed in big cities than in rural areas. 小题2:Which of the following statements is TRUE according to the passage? A.“TAG” was a word created by people to distinguish street artists and the other artists. B.There are three reasons explaining why it is hard to define the history of street art. C.The movement of street art began in the 1980s in New York City. D.All the people don’t think that the street art is a rich form of cultural expression. 小题3:The city officials used to get rid of graffiti probably because _____________. A.they caused arguments between people B.they were ugly in someone’s eyes C.they were not painted under proper guidance D.they didn’t express traditional culture
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A.
自然灾害等不可抗力
B.
贷款户经营失败
C.
贷款户主管恶意拖欠
D.
小微金融机构自身管理不善
【单选题】【3+2天天练 第27天】下列哪一个选项是空缺处的最佳答案。We like them _______ we like pretty curtain material.
A.
just as
B.
the same
C.
just the same
D.
so
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【判断题】吊顶的的起拱高度一般为房间长向的1/200~1/300。
A.
正确
B.
错误
【单选题】【3+2天天练 第27天】下列哪一个选项是空缺处的最佳答案。I looked at it again. She ______ right! It was!
A.
had
B.
has
C.
is
D.
was
【单选题】关于元素的起源,以下说法不正确的是()
A.
古代中四元素说:土水气火,就是我们所说的化学元素。
B.
近代元素观中英国化学家玻又尔描述元素为具有一定确定、实在、可观察的实物,不能用化学方法再分解的更简单的实物。
C.
法国化学家拉瓦锡描述元素是“化学分析到达的终点,即在当时用任何化学手段都不能分解的物质”
D.
元素的大爆炸形成理论是美国物理学家伽莫夫提出的
【单选题】导致小微金融机构发生拖欠的主要原因是( )。
A.
自然灾害等不可抗力
B.
贷款户经营失败
C.
贷款户主观恶意拖欠
D.
小微金融机构自身管理不善
【多选题】以下关于网络外部性的描述中正确的是?
A.
只要存在网络关系,就必然存在网络外部性
B.
根据梅特卡夫法则,网络价值随网络规模增大而线性增长
C.
网络外部性是外部性在网络系统中的特例
D.
基于严格的经济学定义,网络效应和网络外部性可视为同一概念
【多选题】以下关于“一夫法”的描述中,正确的是:
A.
拇、食、中、无名指并拢
B.
食、中、无名、小指并拢
C.
以中指第一节横纹为准
D.
以中指第二节横纹为准
E.
此法量取的距离是3寸
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