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【单选题】
Seventeenth-century houses in colonial North America were simple structures that were primarily functional, carrying over traditional designs that went back to the Middle Ages. During the first half of the eighteenth century, however, houses began to show a new elegance. As wealth increased, more and more colonists built fine houses. Since architecture was not yet a specialized profession in the colonies, the design of buildings was left either to amateur designers or to carpenters who undertook to interpret architectural manuals imported from England. Inventories of colonial libraries show an astonishing number of these handbooks for builders, and the houses erected during the eighteenth century show their influence. Nevertheless, most domestic architecture of the first three-quarters of the eighteenth century displays a wide divergence of taste and freedom of application of the rules laid down in these books. Increasing wealth and growing sophistication throughout the colonies resulted in houses of improved design, whether the material was wood, stone, or brick. New England still favored wood, though brick houses became common in Boston and other towns, where the danger of fire gave an impetus to the use of more durable material. A few houses in New England were built of stone, but only in Pennsylvania and adjacent areas was stone widely used in dwellings. An increased use of brick in houses and outbuildings is noticeable in Virginia and Maryland, but wood remained the most popular material even in houses built by wealthy landowners. In the Carolinas, even in closely packed Charleston, wooden houses were much more common than brick houses. Eighteenth-century houses showed great interior improvements over their predecessors. Windows were made larger and shutters removed. Large, clear panes replaced the small leaded glass of the seventeenth century. Doorways were larger and more decorative. Fireplaces became decorative features of rooms. Walls were made of plaster or wood, sometimes elaborately paneled. White paint began to take the place of blues, yellows, greens, and lead colors, which had been popular for wails in the earlier years. After about 1730, advertisements for wallpaper styles in scenic patterns began to appear in colonial newspapers. What does the passage mainly discuss?
A.
A comparison of eighteenth-century houses and modern houses.
B.
The improved design of eighteenth-century colonial houses.
C.
The decorations used in eighteenth-century houses.
D.
The role of carpenters in building eighteenth-century houses.
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【单选题】传播学诞生于 ( )
A.
20世纪40年代
B.
20世纪50年代
C.
20世纪60年代
D.
20世纪70年代
【简答题】下列程序的执行结果是【 】。 import java.io.* ; public class ArrayTest { public static void main(String args[ ]) { int i; int a [ ]=new int[5]; for(i=0; i=0;i- -) System.out.print('a['+i+']='+a[i]); } }
【单选题】传播学诞生于什么年代?
A.
19世纪20-50年代
B.
19世纪80-90年代
C.
20世纪20-50年代
D.
20世纪80-90年代
【单选题】辛弃疾词艺术性的主要特点之一是( )
A.
以文为词。
B.
以诗为词。
C.
绮错婉媚。
D.
渲染。
【单选题】()是人权保障的最后防线,它为解决私人之间的人权纠纷提供了有效渠道,是纠正和扼制行政机关侵犯人权的有力机制,也是排除反人权的立法的重要手段。
A.
法律诉讼
B.
司法救济
C.
正当程序
D.
权力制约
【单选题】8KW家庭式光伏发电站采用1台逆变器,接入电网电压为()。
A.
220V
B.
380V
C.
10KV
D.
110KV
【单选题】传播学产生于 ______ 的美国 。( B )
A.
20 世纪初
B.
20 世纪 40 年代
C.
20 世纪 70 年代
D.
19 世纪 60 年代
【简答题】传播学诞生于四五十年代的 。(哪个国家)
【简答题】传播学诞生于20世纪( )年代。
【单选题】传播学诞生于20世纪40年代的( )。
A.
美国
B.
德国
C.
意大利
D.
法国
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