In his famous study of myth, The Hero with a Thousand Faces, Joseph Campbell writes about the archetypal hero who has ventured outside the boundaries of the village and, after many trials and adventures, has returned with the boon that will save or enlighten his fellows. Like Carl Jung, Campbell believes that the story of the hero is part of the collective unconscious of all humankind. He likens the returning hero to the sacred or tabooed personage described by James Frazier in The Golden Bough. Such an individual must, in many instances of myth, be insulated from the rest of society, “not merely for his own sake but for the sake of others; for since the virtue of holi- ness is, so to say, a powerful explosive which the smallest touch can detonate, it is necessary in the interest of the general safety to keep it within narrow bounds.” There is between the arche- typal hero who has journeyed into the wilderness and the poet who has journeyed into the realm of imagination. Both places are dangerous and full of wonders, and both, at their deepest levels, are journeys that take place in the kingdom of the unconscious mind, a place that, in Campbell’s words, “goes down into unsuspected Aladdin caves. There are not only jewels but dangerous jinn abide . . . ” The title of Campbell’s book, The Hero with a Thousand Faces, is meant to convey